C.A.M.R. has been the keyword in most of my musical activity with combinations of computer, acoustic- and electronic instruments since 1990.

Mobile Studio

event engineering , live-recording, production- and experimental site

After many years of consistent cooperation with studios such as the Electronic Studio of the Music Academy Basel and the Experimental Studio of the SWF, Freiburg, I established my own small and decent studio during the last decade.

Audiophile quality and mobility present the underlying values for ensuring greatest autonomy. Although "studio" also means "recording studio", the special bias is "Experimental Studio for Electroacoustic Music."

The studio also includes two PA's for the perfect transfer of music at concerts.

Software Development

for composers, interprets, instrumentalists and presentation conducting

For me, the central theme in music electronics is the instrumental playability of the setup. My experiences as a practicing musician are just too deep to replace such instrumental possibilities in electronics with a mouse and keyboard. The magic word is Interface.


analog, historic, modern
  • Synthesizers played a strong role for me in the 70s and 80s. Although they were almost priceless at that time I owned two big ARPs.

    At the beginning of the millennium, I started using synthesizers again, now in conjunction with my own software (Max). After a short period with historical ARPs and MOOGs, I today prefer modular systems.



MIDI, MPE, OSC and Eucon-Protocol